It will never cease to amaze me how we will manage to create, amongst however many differences and inherently dissimilar environments, patterns and similar stories and pieces of folklore, miles and minds apart.
I have seen throughout America, especially in rural Appalachia and further in the Midwest, what appear to be similarly patterned or cut pieces of Small Town, USA: a small intersection of a main street, a handful of antique stores along the spectrum of ready-for-business and abandoned, and a single movie theater with a marquee marked up, still by all accounts within the domain of the nineties and against all odds clinging to semi-relevance and just-dodging insolvency.
Of course, this odd uncanniness of familiarity is not limited to physical locations. The stories we tell, after all, can all be reduced down to a handful of skeletons. Beyond that, in the realm of the macabre and chilling, it is probably easy to iron out the framework of what makes horror horror and why urban legends remain told. It seems to me that every place I have been to has a "Cry Baby Bridge," and I visited the one hidden away in East Texas one American summer afternoon.
